Η Εταιρεία “Ρομαντικοί Ανώνυμοι” Διοργανώνει την πρώτη Στακιστική εκδήλωση
στην Ελλάδα:
“Υπό την Σκέπιν της Ρομαντικής Ανωνυμίας”
Ομαδική Καλλιτεχνική Έκθεση
Καλούμε τους ενδιαφερόμενους καλλιτέχνες να υποβάλουν έργα
Ζωγραφικής, Χαρακτικής, Γλυπτικής και Αρχιτεκτονικού
Σχεδιασμού
Πρώτο Τρίμηνο 2007
Προγραμματιζόμενος εκθεσιακός χώρος: Μιά
από τις αίθουσες του Πολιτισμικού Οργανισμού του Δήμου Αθηναίων
|
Αίτηση για την χρήση μιάς από τις αίθουσες
του Πολιτιστικού Οργανισμού του Δήμου Αθηναίων εκκρεμεί αναμένωντας την
έγκριση ης Εικαστικής Επιτροπής του Γραφείου Διοργάνωσης Εικαστικών
Εκδηλώσεων του Πολιτισμικού Οργανισμού του Δήμου Αθηναίων. Η αίτηση φέρει τον
αρ. πρωτοκόλου 7232 της |
Περιεχόμενα:
Κατάλογος Συμμετεχόντων (Κλίκ στα ονόματα για
περισσότερες πληροφορίες) (αρχή
σελίδας)
|
Στακιστές Καλλιτέχνες |
|
|
|
|
|
|
|
|
Προσκεκλημένοι
Καλλιτέχνες |
|
|
|
|
|
Ελευθέριος
Γιακουμάκης (4ετής
φοιτητής Καλών Τεχνών) |
|
|
|
|
|
|
Ilania Abileah (Κατάλογος
Συμμετεχόντων)
(Of
The “Romantic Anonymous” Fellowship, Athenian Group of Stuckism International)
Bachelor's degree, Studio Arts from
In 1996 I exhibited my work (which was primarily paintings that say it
with flowers and, some landscapes and miniatures) at Gallery "910" in
Member (and past president) of "Arts Morin Heights"
participated in solo and group exhibitions in the Laurentians, as well as the
Lower Laurentians Art Tour Route des Arts since its inception in
2000. Vice-President of the Board of Directors of Route des Arts.
Have been contributing to the local English paper main street
and now write a monthly report entitled ARTS Etc. as well as some
individual profiles about artists in the region.
Artist's Statement:
My paintings are inspired
by my heritage, my experience as a woman artist and my flowers.
I paint in various techniques (acrylic, oil, egg-oil
emulsion, egg tempera, watercolour, mixed media, collage and, prints) and draw
my subjects from traditional symbols, poetry and, my rock garden. I am a
pacifist and through my art wish to put emphasis on the importance of
understanding, empathy, respect and love towards humanity, nature and, all
living creatures on earth.
Anthe (Κατάλογος
Συμμετεχόντων)
(Of
The “Romantic Anonymous” Fellowship, Athenian Group of Stuckism International)
Anthe says, ”Creating work is much like
breathing, you just simply do it because you must to stay alive. The
creation of my art is a means for me to express my faith in God, glorifying
him, and giving him honor through my work. I have always had a love of the
Mexican & Greek Iconography. My travels to both countries have enabled me
to incorporate their color sense into my imagery. I have felt the desire to
convey multiple meanings in much of my work and to provoke thought.
Nothing in life is exactly what it appears to be and art in my estimation
should reflect the same as life, the unexpected.”
She would also like to say,"
Thanks for all of you who have offered your support and that of my
Lord that has enabled me to continue to create. As many of you know the
past few years have been trying for me in the least. Several car accidents have
left me with chronic pain. However I have triumped over darkness. Thank God and
I am back to creating new and exciting works. It has been a great comfort for
me that so many of you continue to support my efforts by attending my
exhibitions and through adding my work to your collections. I just want to say
thank you.This keeps my work very much alive."
Anthe’s original works vary in size and
materials and can be found in many local
She is very versatile in her applications and
the media she chooses. Other series include; 8 Virtues, which consist of
original hand pulled prints allegorical in nature, scenes of Greece, Paris,
France and scenes of and surrounding areas Philadelphia, Pennsylvania which
consist of landscapes & buildings originating both from original prints and
water color paintings.
Godfrey Blow (Κατάλογος
Συμμετεχόντων)
(Of
the
Godfrey
Blow is an artist who has had many solo exhibitions beginning with his first in
His
most recent work is concerned with exploring symbols derived from natural forms
that give an insight into the nature of existence. The artist believes that the
truth is just as likely to be found in mythology and as relevant to our
appreciation of the world as scientific facts. Although elements in the work
are highly personal, the images used will strike a universal chord. The development
of a more spiritual approach to his painting is becoming increasingly
significant. Although spiritual in nature the work is not religious and seeks
to understand the world in a meaningful way.
The
work is also concerned with responding to natural events that shape our lives.
The sudden and recent death of the artist's parents has had a profound
influence on his work. The inevitability of death which is perhaps still a
taboo in our society, is dealt with in several of the artist's later work. This
is not to say that the paintings depict a pessimistic view of the world. The
work, in fact, presents life in all of its various facets and hopefully touches
part of our intellect and emotions.
This
work is the language of the visionary artist and we need to put aside set
ideologies and view his art in a new light. Personal truth sought with a
genuine desire and integrity is the important factor in the development of this
artist's work.
Jaime Braz (Κατάλογος
Συμμετεχόντων)
(Of
the
Jaime’s primary vocation is Biology; it appears though
that the Renaissance Man in him is not content to limit his creativity in the
scientific field only, so he paints, using with surrealistic humour a realistic
visual vocabulary – in great part “drawn” from his science - and expressing
with it his scientific experiences, his ecological concerns, his love for
nature, for his family and friends, for all those great little things that make
life on this planet worth living.
Jaime is a Stuckist painter par excellence, his works
of art being as honest as works of art can be.
Odysseus
Yakoumakis on the art of Jaime Braz
Ian James Burkett (Κατάλογος Συμμετεχόντων)
(Of
the Ealing Stuckists, also of The “Romantic Anonymous” Fellowship, Athenian
Group of Stuckism International)
STATEMENT:
"In early memory
...music Was ringing 'round my nursery door"*
My earliest memories are
made up of a cocktail of music and art. The two have been inextricably linked
ever since.
The first song that I can
recall hearing was 'Buffalo Soldier' by Bob Marley, released in '76, the year
that I was born.
As a child I would spend
my days drawing and listening to music. I was always fascinated by the past and
would take references from history books. I had a teacher in primary school who
fueled the link of working to music. In her class she would play classical
compositions and ask us to draw to the music, expressing whatever images we saw
within the sounds.
To this day, that memory abides and makes up much of my working practice. I
still take pictures from sounds.
When I paint, I don't
start out with any set plans. I pick up pieces subconsciously or take them from
the last image worked as a way of breaking the blankness. The use of repeated
imagery links each painting to the past.
The busy nature that my work has, is an expression of the fast paced condensed
living that I see around me. The symbols that I use come from primitive and ancient
high cultures. My main inspiration is taken from 'Rock Art' by indigenous
peoples from around the world as it is free flowing, pure and 'touches my
primal buttons'.
My use of figures with
'arms raised' comes from a vision that I once had when I was living in Arizona.
It was during a drive through the sculptured desert looking at the
time-rendered landscape littered with cacti.
They appeared to me as being human in form, with arms raised, basking in the
sunshine and celebrating life under the sun that fell upon them in what looked
at first to be a barren wilderness. In some way they were the souls of many
collected and captured together without feet to move, yet positioned in a
paradise.
I feel that painting is
like dancing, in that it is natural. There are no wrong steps, and when it
flows it is possible to dance across the canvas to a universal beat and rhythm
which we all hold within.
"These are the roots of the rhythm
And the roots of the
remain" *
* Quotes taken from the song 'Under African Skies' by Paul Simon, from the
album 'Graceland'
Susan Constanse (Κατάλογος
Συμμετεχόντων)
(Of
the Pittsburgh Stuckists)
Susan’s accomplishment is not her powerful graphic
style, nor her masterful composition and use of colour and tonality. A huge
number of fine artists world-wide achieve a high level of craftsmanship.
It’s the very personal way in which Susan puts her
craftsmanship in good use, conveying thus to the viewer sentiments of tender
nostalgia, elegant irony, dignified melancholy, intelligent optimism, all
characterized by such a mysterious and simultaneously familiar femininity to
render her works “art by a true Lady”, in the most literal of senses.
Odysseus
Yakoumakis on the art of Susan Constanse
Elsa Dax (Κατάλογος Συμμετεχόντων)
(Of
the Paris Stuckists)
Who am I: Lives between Paris and London Camden Town with architect
husband, John Kerr. Passionate about Greek mythology. Mother of two young
girls, Sophia and Jeanne. Bonne vivante. Likes Médoc, Cordier,
écrevisses, wild pigeon, cèpes, mushrooms. Walks in the Bois Vincennes
and by Camden canal. Part-time smoker. Solo shows in Paris and London. Puts on
make-up on bus journeys, "I can't paint on buses, so I have the pleasure
of painting myself."
Statement: Most of my paintings are
inspired by myths, especially Greek and Roman Mythology. The reason for this is
that it provides scope for the imagination. A lot of artists (painters,
writers, architects, sculptors, filmmakers, etc) were also inspired by this
tremendous domain.
Terry Marks (Κατάλογος
Συμμετεχόντων)
(Of
the New York Stuckists)
TERRY MARKS is an internationally exhibited, award-winning
painter and printmaker.
Born and raised in
Terry lived in
Most recently, she has become apprentice
tattooist at Cherry
Bomb Tattoo, in Greenpoint,
* at the Central/St.Martin’s
€
North American translation: drunken soccer fans looking for trouble
†
the Graduate School of Figurative Art at the New York Academy of Art
‡ for more
information, see Stuckism on the links page
Selene de Packh (Κατάλογος Συμμετεχόντων)
(Of
the Pittsburgh Stuckists)
Selene
“… is a classically trained artist who has mastered a variety of media. Her
representational and fantasy work may be found in regional public ollections
around Wasshington, D.C. and in private collections nationally. In 1997 she
founded Womwn’s Work, a feminist gallery that supported artists who where
survivors of abuse and trauma …
influences
… include the line drawings of Aubrey Beardsley; Dave Sim’s Cerebus Comics; Max
Earnst’s Freudian collages; the haunted luminously desolate paintings of Paul
Delvaux; and Angela Carter’s melancholy, lusciously savage stories. Ultimately,
though, the work is most indebted to those ferociously intelligent ranks of sex
warriors like Annie Sprinkle, Pat(rick) Califia, Tristan Taormino and Susie
Bright ho have cleared a territory where womwn can own their own sexuality with
fierce pride …”
Extracts from the archives of the “Blue Ruin Gallery”.
Daniel Pincham-Phipps (Κατάλογος Συμμετεχόντων)
(Of the Southend Stuckists)
A fitting comment to a figurative charcoal drawing I sold to a
friend, came from their son the morning after it was hung in their home. The
three-year old said “ Oh what a lovely picture mummy“!
Οδυσσεύς Γιακουμάκης (Κατάλογος Συμμετεχόντων)
(Τής Εταιρείας “Ρομαντικοί Ανώνυμοι”,
Αθηναϊκό τμήμα του Stuckism International)
Αντιλαμβάνομαι την Τέχνη ως μέσον για να
βιωθεί η ιερή φύση του Κόσμου. Κατά συνέπεια, αποσκοπώ μέσω της Τέχνης να
εκφράσω ιδέες, ιδανικά και συναισθήματα, να μεταδώσω μηνύματα σε επίπεδο
προσωπικό, κοινωνικό, πολιτικό, φιλοσοφικό και μυστικιστικό. Ζωγραφίζω τις
καθημερινές μου εμπειρίες, μετουσιωμένες σε μύθους, κάνοντας χρήση συμβόλων που
αντλώ από τις αρχαίες, προχριστιανικές
παραδόσεις της Γής, καθώς και από το υποσυνείδητο μου. Προσπαθώ να έχω μιά πολυδιάστατη τεχνοτροπία,
να αφομοιώσω στοιχεία κυρίως από τις σχολές της Ιταλικής Αναγέννησης, τους
Φλαμανδούς και Γeρμανούς
Primitives, το Ιαπωνικό Sumi-e και τα
Κινέζικα Gonbi και Xieyi, τα κινήματα του απεικονιστικού Εξπρεσιονισμού
και του Σουρεαλισμού, καθώς και από ορισμένες Ευρωπαϊκές «σχολές» Κόμικ.
“Πολυδιάστατα Αφηγηματική” είναι ο όρος-κλειδί για την ερμηνεία της
ζωγραφικής μου δουλειάς. Σε κάθε έργο μου αποπειρώμαι να απεικονίσω, πάντα με
παραστατικό (figurative) τρόπο και κάνοντας ευρεία
χρήση συμβόλων, πολλά δρώμενα που εξελίσσονται ταυτόχρονα και συγκροτούν συνθετότερα
δρώμενα. Περαιτέρω, ομαδοποιώ τα έργα μου σε ενότητες, η κάθε μία από τις
οποίες αφηγείται κάποιο προσωπικό μου μύθο, μια δομημένη ιστορία με αρχή, μέση
και τέλος.
Προκειμένου να προσδώσω στα έργα μου μιά ατμόσφαιρα «θεατρική» ή «κινηματογραφική»,
συνδυασμένη με ένα «ονειρικό» στοιχείο «αργής κίνησης», απεικονίζω το χώρο με
στρεβλωμένες προοπτικές, συνήθως ευρυγώνιες, με σημείο οράσεως πολύ ψηλό ή πολύ
χαμηλό, ή συχνά και πολλαπλό, που αλλάζει από περιοχή σε περιοχή του πίνακα, αποπειρώμενος
να δώσω έτσι στο θεατή την αίσθηση της κάμερας του οπερατέρ που κινείται
Επιδιώκω να προτρέψω το θεατή να σταθεί και μελετήσει
ήρεμα το έργο εστιάζοντας σε όλα του τα δρώμενα. Θεωρώ το σημείο αυτό ιδιαίτερα
σημαντικό, δεδομένου ότι επιθυμώ με την δουλειά μου να αμφισβητώ το μοντέλο του
αγχώδους καλλιτέχνη που «παράγει» γρήγορα ένα «προϊόν» που ο πάντα βιαστικός
θεατής θα «καταναλώσει» ακόμα πιο γρήγορα, αντιπροτείνοντας το παραδοσιακό
ιδανικό του καλλιτέχνη που μπαίνει σε διαλογιστική κατάσταση, προκειμένου να
δημιουργήσει ένα έργο τέχνης το οποίο ο θεατής θα βιώσει, απολαύσει και
αφομοιώσει μόνο αν μπει σε διαλογιστική κατάσταση με τη σειρά του.
Annunziata Fiumi – Loosli (Κατάλογος Συμμετεχόντων)
Annunziata Fiumi, born 1946 in Passignano at the
Matilda Hultgren (Κατάλογος
Συμμετεχόντων)
Matilda
Hultgren, borne 1982, lives together with her husband at Råslätt in
Jönköping, where she works with her art.
In her art she mostly describes what life is mostly about, relations; Relations
between humans, mankind and God, and the relations of humans towards
themselves.
Other things that she encounters in life, big and small circumstances and
thoughts, find their way into her art.
Ray
Wilkins (Κατάλογος Συμμετεχόντων)
Born
immigrated to
has been
painting hes whole life, professionally since 1973
Lived and
worked in
Father of 3
children ;oldest son 24 Marc Wilkins is wellknown international Film
Director,second oldest 22 Luke Wilkins is an up and coming film star,Poet and
Musician ,my Partner over the last 16 years is German born Cordula Ehms
Artist,Stylist,Coach/Trainer and my most critical criticer and the sunshine of
my Life
My other
Professions are Coach/Trainer,Doctor of Natural Medicine, Author
Musician/Songwriter,